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Filipe Freitas

Tomatometer-approved critic

Reviews

Movies TV Shows
Roofman (2025) 87% 3/5 EDIT “Even as the narrative settles into a familiar rhythm, Cianfrance’s approach retains a certain artfulness. He and Tatum deliver an acceptable, if not especially original, piece of work.” – Always Good Movies Feb 4, 2026 Full Review Urchin (2025) 96% 3.5/5 EDIT “Merciless and unsettling, it is a tightly focused indie drama perfectly scaled to the towering performance at its center. ” – Always Good Movies Feb 4, 2026 Full Review Ballad of a Small Player (2025) 49% 3/5 EDIT “The film never quite coheres as a whole, and its twists are unlikely to astonish, but Farrell remains a constant source of fascination.” – Always Good Movies Feb 4, 2026 Full Review Dreams (2024) 90% 3/5 EDIT “A tender meditation on first love, fantasy, and the gradual process of growing up and moving on.” – Always Good Movies Feb 4, 2026 Full Review The Mysterious Gaze of the Flamingo (2025) 95% 2.5/5 EDIT “An anemic blend of turbulent coming-of-age drama, social critique, and revenge tale.” – Always Good Movies Jan 27, 2026 Full Review If I Had Legs I'd Kick You (2025) 91% 4.5/5 EDIT “Viewers drawn to pungent, psychologically offbeat dramas will find much to savor in this fluid, slightly bruised, irresistibly skewed, and deliciously nightmarish experience.” – Always Good Movies Jan 27, 2026 Full Review Nuremberg (2025) 72% 2/5 EDIT “At times artificial, at others overtly sentimental, this historical-by-numbers drama never quite finds the path to grandeur or resonance.” – Always Good Movies Jan 27, 2026 Full Review The Mastermind (2025) 90% 4/5 EDIT “Simmering without boiling, The Mastermind peels off the surfaces of old-school heist genre, smartly avoiding commonplace, complacency, and demagogy to achieve something truly moody and dusky.” – Always Good Movies Jan 27, 2026 Full Review Sentimental Value (2025) 97% 4/5 EDIT “This is family drama at its most quietly devastating, sustaining a strong dramatic integrity as its characters grapple with unresolved pain and buried resentment.” – Always Good Movies Jan 27, 2026 Full Review Jay Kelly (2025) 75% 2/5 EDIT “Jay Kelly is built around a series of glittering but hollow exchanges between characters who always look and act like characters.” – Always Good Movies Jan 13, 2026 Full Review Springsteen: Deliver Me from Nowhere (2025) 61% 1.5/5 EDIT “Despite the suitably retro-flavored cinematography by Cooper’s regular collaborator Masanobu Takayanagi, Springsteen: Deliver Me from Nowhere remains dramatically inert.” – Always Good Movies Jan 13, 2026 Full Review The Running Man (2025) 62% 2.5/5 EDIT “The film struggles to find a stable rhythm, repeatedly tripping over its own noisy boom-crash-bang theatrics and a shaky script.” – Always Good Movies Jan 13, 2026 Full Review Wake Up Dead Man: A Knives Out Mystery (2025) 92% 2/5 EDIT “Wake Up Dead Man ultimately takes the shape of a hollow parody—a loud, overcooked puzzle that favors spectacle over substance. ” – Always Good Movies Jan 13, 2026 Full Review The Things You Kill (2025) 96% 3/5 EDIT “Spiraling and twisting without arriving at anything truly revelatory, The Things You Kill won’t make you sweat—its surreal dimension adding too little substance to justify its ambitions.” – Always Good Movies Dec 28, 2025 Full Review Hamnet (2025) 86% 2/5 EDIT “A thin narrative spine and awkwardly staged theatrics prevent Hamnet from forging a meaningful emotional connection, leaving it more inert than affecting.” – Always Good Movies Dec 28, 2025 Full Review Train Dreams (2025) 95% 3/5 EDIT “Influenced by the dreamy tones and minimalist aesthetic of Terrence Malick, Benton crafts a cruel, elegiac, and melancholic tone poem about life, loss, grief, and the inexorable passage of time.” – Always Good Movies Dec 28, 2025 Full Review It Was Just an Accident (2025) 98% 3/5 EDIT “Support for Panahi is unquestionable, but he has articulated sharper and more inventive statements in his previous films.” – Always Good Movies Dec 17, 2025 Full Review To Kill A Mongolian Horse (2024) 4/5 EDIT “Adopting a documentary-like, Jia Zhangke-esque approach, To Kill a Mongolian Horse carries a reflective strength, keeping you in quiet suspense until its shattering finale.” – Always Good Movies Dec 17, 2025 Full Review Blue Moon (2025) 91% 4/5 EDIT “Observant in the way only Linklater can be, the film feels strikingly authentic and radiates a contagious pleasure. It is not a conventional biopic, but it’s cleverly attuned to emotional nuance, and that makes all the difference.” – Always Good Movies Dec 9, 2025 Full Review Bugonia (2025) 88% 4/5 EDIT “Though it sometimes feels calculated, it is also finely crafted, hallucinatory, and immensely entertaining. A galvanizing cinematic experience with a radical edge—one that, whether you love it or hate it, won’t be easy to forget.” – Always Good Movies Dec 9, 2025 Full Review Misericordia (2024) 94% 2/5 EDIT “Both the story and the style end up lumbering and graceless, sketching a web of desires and suspicions that feels amorphous, undercooked, and oddly weightless.” – Always Good Movies Dec 9, 2025 Full Review Nouvelle Vague (2025) 92% 4/5 EDIT “Nouvelle Vague arrives as a triumphant recreation of a defining cinematic moment.” – Always Good Movies Dec 9, 2025 Full Review No Other Choice (2025) 97% 4/5 EDIT “No Other Choice is potently harsh, unflinchingly amoral, and sinfully enjoyable. Pure noir zaniness.” – Always Good Movies Dec 9, 2025 Full Review Broken Voices (2025) 80% 4/5 EDIT “Broken Voices is the antithesis of a feel-good movie—something that fractures from the inside and leaves a long-lasting bruise.” – Always Good Movies Nov 29, 2025 Full Review Afternoons of Solitude (2024) 88% 1/5 EDIT “Repetitive and displeasing, Afternoons of Solitude stands as an ode to barbarity that leaves you wondering, almost in disbelief: is this seriously never going to end?” – Always Good Movies Nov 29, 2025 Full Review
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