Jeff Stark
Jeff Stark's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
A Man Apart (2003)
10%
EDIT
“Yes, Vin Diesel still rocks. But you wouldn't know it from this dreary, predictable sub-Traffic action flick.” –
Salon.com
Apr 4, 2003
Full Review
Spun (2002)
36%
EDIT
“This tale of Southern California speed freaks works too hard for its high.” –
Salon.com
Mar 14, 2003
Full Review
Amandla! A Revolution in Four-Part Harmony (2002)
83%
EDIT
“A beautiful movie about the power of music, about the power of being right.” –
Salon.com
Feb 22, 2003
Full Review
Biker Boyz (2003)
22%
EDIT
“Biker Boyz is about fast motorcycles and the tough dudes -- and even tougher chicks -- who soup them up in illegal street races. Unfortunately, it's about more than that.” –
Salon.com
Jan 30, 2003
Full Review
Narc (2002)
83%
EDIT
“About the best thing you could say about Narc is that it's a rock-solid little genre picture. Whether you like it or not is basically a matter of taste.” –
Salon.com
Dec 20, 2002
Full Review
25th Hour (2002)
80%
EDIT
“A clumsy, oh-well story about the moral quandary of a drug-dealing recidivist who more or less deserves to go to jail.” –
Salon.com
Dec 20, 2002
Full Review
Personal Velocity: Three Portraits (2002)
69%
EDIT
“In a way, it plays like a dated feminist tract, one of those works that wants to show women making tough decisions and being emotionally resilient, but is at root about them being screwed over by men.” –
Salon.com
Nov 27, 2002
Full Review
Roger Dodger (2002)
88%
EDIT
“There's a lot of tooth in Roger Dodger. But what's nice is that there's a casual intelligence that permeates the script.” –
Salon.com
Oct 25, 2002
Full Review
The 51st State (2001)
26%
EDIT
“Director Yu seems far more interested in gross-out humor than in showing us well-thought stunts or a car chase that we haven't seen 10,000 times.” –
Salon.com
Oct 23, 2002
Full Review
24 Hour Party People (2002)
87%
EDIT
“The bad thing about 24 Hour Party People is that it's blindly ambitious, garishly self-indulgent and reckless with the truth. The good thing is it knows all these things. And the best thing is that it might be a great movie.” –
Salon.com
Aug 9, 2002
Full Review
Men in Black II (2002)
38%
EDIT
“Instead of inhabiting the same world of his original, the delightful 1997 Men in Black, or inventing a new world, this update kitschifies it, rendering it into a silly joke.” –
Salon.com
Jul 3, 2002
Full Review
Dogtown and Z-Boys (2001)
92%
EDIT
“The problem is that Peralta wants it all, and that it doesn't all add up.” –
Salon.com
May 4, 2002
Full Review
Nine Queens (2001)
92%
EDIT
“A people pleaser that makes use of dozens of great movie tricks and manages to sprinkle great lines throughout.” –
Salon.com
Apr 26, 2002
Full Review
The Piano Teacher (2001)
75%
EDIT
“This is a smart movie that knows its classical music, knows its Freud and knows its Sade.” –
Salon.com
Apr 19, 2002
Full Review
The Son of the Bride (2001)
86%
EDIT
“While it's not as fantastical as Amelie or as brutish as No Man's Land, it has something that neither of those movies have: a sort of measured everyday realism.” –
Salon.com
Mar 21, 2002
Full Review
Rollerball (2002)
3%
EDIT
“John McTiernan's botched remake may be subtler than Norman Jewison's 1975 ultraviolent futuristic corporate-sports saga. It's also stupider.” –
Salon.com
Feb 13, 2002
Full Review
The Count of Monte Cristo (2002)
74%
EDIT
“The classic book had a lot of complex, smart things to say about revenge. The movie doesn't.” –
Salon.com
Jan 25, 2002
Full Review
Startup.com (2001)
93%
EDIT
“An engrossing documentary follows two friends as they soar and crash with the dot-com wave.” –
Salon.com
May 10, 2001
Full Review
The Legend of 1900 (1998)
58%
EDIT
“Giuseppe Tornatore's tale of a ship-bound piano virtuoso drowns in its own treacle.” –
Salon.com
Jan 1, 2000
Full Review
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