The Year Between (2022)
75%
EDIT
“It's brutal, cruelly funny, socially relevant, and not the stuff of happily-ever-after fairy tales.” –
Arkansas Democrat-Gazette
Jun 24, 2022
Full Review
The Beauty of Blackness (2022)
EDIT
“Co-directed by Kiana Moore and Tiffany Johnson, the beautifully photographed pay-for-play production, streaming on HBO Max, is glamorous as well as relevant in its effort to show how beauty is connected to power and whiteness.” –
Arkansas Democrat-Gazette
Jun 24, 2022
Full Review
The Jesus Music (2021)
67%
80/100
EDIT
“What began as a confident, clearly focused and expressed narrative suddenly scatters, as if the filmmakers forgot where it is they wanted to go.” –
Arkansas Democrat-Gazette
Oct 1, 2021
Full Review
Promising Young Woman (2020)
90%
EDIT
“A shocking revenge fantasy that will break your heart, Promising Young Woman is perhaps a touch too strident (and extreme) for some tastes, but it is an indelible souvenir of our ongoing moment.” –
Arkansas Democrat-Gazette
Mar 19, 2021
Full Review
Mayor (2020)
100%
EDIT
“A riveting and human portrait of the very likable Musa Hadid... Briskly paced and expertly edited, Mayor is a humbling reminder that not all politicians are cynical opportunists.” –
Arkansas Democrat-Gazette
Mar 12, 2021
Full Review
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese (2019)
92%
EDIT
“There's a lot of storytelling along with the music that, along with backstage goofing around, adds to the entertainment value. Not to be missed is a sensational bit of archival footage featuring [Joni] Mitchell playing her new song "Coyote."” –
Arkansas Democrat-Gazette
Jan 23, 2021
Full Review
Ammonite (2020)
70%
EDIT
“Ammonite feels a little airless and cool, and it pales in comparison to Céline Sciamma's Portrait of a Lady on Fire and Abdellatif Kechiche's Blue Is the Warmest Color, to name but two recent examples of quality arthouse lesbian romance.” –
Arkansas Democrat-Gazette
Jan 15, 2021
Full Review
That Good Night (2017)
48%
EDIT
“Performances aside, Eric Styles' creaky, sentimental film is mainly of morbid interest. Hurt does well here, but this is not what we should remember him by.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
Ryuichi Sakamoto: Coda (2017)
98%
EDIT
“Stephen Schible's documentary biography of the great film composer is not only an interesting portrait of an artist but a sensitive and engrossing exploration of the act of creation itself.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
A Regular Woman (2019)
94%
EDIT
“Sherry Hormann's chilling drama revolves around a free-spirited young woman living with an ultra-conservative Turkish Muslim family in Berlin.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
Blackbird (2019)
64%
EDIT
“A game attempt to take on a complicated relationship gets stalled by too many plot contrivances in this drama about what's meant to be a sad, sweetly sentimental holiday weekend of goodbyes.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
I Am Woman (2019)
66%
EDIT
“An unremarkable step-by-step narrative biography of the late Helen Reddy.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
Antebellum (2020)
31%
EDIT
“A horror movie that, despite an impressive amount of work by the casting director, succeeds only at disappointing its audience because it's distressingly violent without being scary.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
Misbehaviour (2020)
87%
EDIT
“The reason films, especially comedies, follow formulas is because they work. That's the case with the smartly cast farce Misbehaviour.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
The Argument (2020)
78%
EDIT
“It takes a while to get where it's going, but patience pays off.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
Hard Kill (2020)
0%
EDIT
“All you need to know about this lame actioner is that it was filmed in 10 days. And it shows.” –
Arkansas Democrat-Gazette
Nov 6, 2020
Full Review
Cut Throat City (2020)
72%
EDIT
“Although the plot has too many elements spinning off in all sorts of directions to be truly coherent, and the backdrop deserves a bigger role than it's given, the big-time cast is worth the audience's focus.” –
Arkansas Democrat-Gazette
Oct 23, 2020
Full Review
Black Water: Abyss (2020)
41%
EDIT
“Engagingly realistic and intermittently scary.” –
Arkansas Democrat-Gazette
Oct 23, 2020
Full Review
The Dog Doc (2019)
89%
EDIT
“Described by some as a miracle worker and by others as a quack, Dr. Goldstein is known as a pioneer of integrative veterinary medicine. This focused, detailed, and artfully assembled documentary makes an earnest effort to tell us why.” –
Arkansas Democrat-Gazette
Oct 19, 2020
Full Review
Never Rarely Sometimes Always (2020)
99%
88/100
EDIT
“There's no way anyone would describe this somber film as enjoyable, but its subtlety and clarity succeed in leaving an unforgettable impression.” –
Arkansas Democrat-Gazette
Apr 10, 2020
Full Review
Little Women (2019)
95%
90/100
EDIT
“Credit to the success of Little Women extends from the finely tuned cast to director Gerwig, whose fine-honed skills on both sides of the camera empower her to be the perfect choice to present this story to a new generation.” –
Arkansas Democrat-Gazette
Dec 27, 2019
Full Review
Judd Apatow: The Return (2017)
86%
EDIT
“Apatow's confident, yet self-deprecating delivery of relatable tales focusing on fatherhood, social media, and growing older make for a comfortable get-together that feels like catching up with a long-lost friend who's skilled at amusing those around him.” –
Arkansas Democrat-Gazette
Jul 8, 2019
Full Review
The Tomorrow Man (2019)
43%
78/100
EDIT
“No doubt this effort is well intended, but the details are too distracting to hold it together.” –
Arkansas Democrat-Gazette
Jun 7, 2019
Full Review
Elliot: The Littlest Reindeer (2018)
30%
87/100
EDIT
“The ending won't be a surprise, but don't expect an overdose of schmaltz. Elliot has the heart of an athlete, the focus of a competitor, and the empathy of a true friend. That's what makes his movie a contender.” –
Arkansas Democrat-Gazette
Dec 7, 2018
Full Review
Skate Kitchen (2018)
89%
EDIT
“Skate Kitchen is a highly realistic and believable narrative feature, populated with non-professional actors playing versions of themselves. Not much happens. What does happen is natural and relevant. And the film is terrific.” –
Arkansas Democrat-Gazette
Dec 7, 2018
Full Review
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