Christy Lemire
Tomatometer-approved critic
A Poet (2025)
100%
EDIT
“The tone is really deft. There's an understated humor to it, because the central figure is really pathetic, but you come to really feel for him, too. ” –
FilmWeek (LAist)
Feb 4, 2026
Full Review
The Moment (2026)
60%
EDIT
“I laughed pretty much the whole way through. ” –
FilmWeek (LAist)
Feb 4, 2026
Full Review
Send Help (2026)
93%
EDIT
“If you miss that very particular brand of Sam Raimi horror comedy, where you're squirming, screaming, and laughing all at the same time, you achieve that over and over again with Send Help. ” –
FilmWeek (LAist)
Feb 4, 2026
Full Review
Love, Brooklyn (2025)
69%
EDIT
“The movie itself is such a sanitized and heightened version of Brooklyn that it never feels like a real place where real people live.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Cut (2024)
69%
EDIT
“It's not a great movie, but I did appreciate the extremes that [Orlando Bloom] would go to transform himself.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Preparation for the Next Life (2025)
97%
EDIT
“Sebiye Behtiyar is a star!” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Conjuring: Last Rites (2025)
58%
EDIT
“If you love all these movies, there are lots of greatest hits elements here.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Clemente (2024)
84%
EDIT
“I loved this and needed this as a balm.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Riefenstahl (2024)
97%
EDIT
“It's an incredible piece of editing... Laid out as it is, you see all the contradictions.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Baltimorons (2025)
95%
EDIT
“It is so sweet, so understated, and just a wonderful slice of life.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Downton Abbey: The Grand Finale (2025)
91%
EDIT
“I found it quite cozy.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Spinal Tap II: The End Continues (2025)
65%
EDIT
“This is really painfully unfunny.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The Long Walk (2025)
88%
EDIT
“It is not for the faint of hear, but it will stick with you.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Adulthood (2025)
77%
EDIT
“An exciting, different kind of role for Josh Gad.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Plainclothes (2025)
83%
EDIT
“There's way too much stuff going on.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Strange Journey: The Story of Rocky Horror (2025)
97%
EDIT
“It got its arms around a lot in a very affectionate way.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Predators (2025)
97%
EDIT
“This is so eye-opening and caused me to really think differently about this show. ” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Eleanor the Great (2025)
66%
EDIT
“It makes this tonal shift that would be tricky for a veteran filmmaker, and Scarlett Johansson, as great an actress as she is, was not ready for this.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
One Battle After Another (2025)
94%
EDIT
“Essential viewing for what is happening in our country right now. ” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Not Without Hope (2025)
75%
EDIT
“Not enough for the faith-based audience, but too much for the secular audience.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Merv (2025)
35%
EDIT
“Totally formulaic but really cute.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
The King of Color (2025)
EDIT
“It is fascinating as an exploration of American commerce in the 20th Century and things that we take for granted when we go shopping.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Resurrection (2025)
89%
EDIT
“It is exquisitely beautiful much of the time, but also totally impenetrable from a narrative perspective.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Dust Bunny (2025)
85%
EDIT
“I really loved this -- a very strange and beautiful film.” –
FilmWeek (LAist)
Dec 31, 2025
Full Review
Anaconda (2025)
48%
2/4
EDIT
“But once "Anaconda" evolves into a standard action movie with real chases, explosions, and gunfire, it takes on a generically glossy sheen that makes it forgettable. ” –
RogerEbert.com
Dec 23, 2025
Full Review
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