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Rating Title | Year Author Quote
Drag (2026) Kristy Strouse Clever and fresh with a lively soundtrack and unhinged fun, Drag is a must-see.
Posted Apr 04, 2026  Edit critic review
Grind (2026) Kristy Strouse While Grind doesn’t always connect, it weaves humor and thoughtful storytelling to make some fresh and bold. A relevant premise with a throwback feel, Grind is a treat.
Posted Apr 04, 2026  Edit critic review
The Sun Never Sets (2026) Kristy Strouse The Sun Never Sets marks a confident return for Swanberg, bolstered by a stellar performance from Fanning and a thoughtful, often painful exploration of love, growth, and the realization that fulfillment doesn’t always come from another person.
Posted Apr 04, 2026  Edit critic review
Edie Arnold Is a Loser (2026) Kristy Strouse An empowering anthem to the female spirit, Edie Arnold is a Loser is loud, messy, and full of heart; an energetic joy that understands imperfection as a strength, not a flaw.
Posted Apr 04, 2026  Edit critic review
Dead Deer High (2026) Kristy Strouse Dead Deer High is a quiet, compassionate film that understands grief as something lived through, not neatly overcome.
Posted Apr 04, 2026  Edit critic review
Never After Dark (2026) Kristy Strouse It’s one of the best horror films of 2026 so far—and that’s saying something. A perfect SXSW midnighter, Never After Dark proves Dave Boyle knows how to craft a lovingly epic nightmare.
Posted Apr 04, 2026  Edit critic review
He Bled Neon (2026) Kristy Strouse He Bled Neon is a pulpy, fun thriller that thrives on action, style, and mood.
Posted Apr 04, 2026  Edit critic review
Kill Me (2026) Kristy Strouse An absolute must‑see, Kill Me offers a career‑defining best for Day while reaffirming Williams as a star. Come for the laughs, stay for the heart, and get pulled into the heady whodunnit.
Posted Apr 04, 2026  Edit critic review
Seekers of Infinite Love (2026) Kristy Strouse Seekers of Infinite Love is a road‑trip movie filled with unexpected comedic detours and an emotional ending that drives home the enduring power of family.
Posted Apr 02, 2026  Edit critic review
Revelations of Divine Love (2026) Lee Jutton Julian of Norwich and her work come to vivid life in filmmaker Caroline Golum’s sophomore feature, which boasts a highly stylized, homespun aesthetic that is guaranteed to charm you.
Posted Apr 02, 2026  Edit critic review
Hokum (2026) Kevin L. Lee There’s something to be appreciated about Hokum’s old-fashioned approach to ghost stories. The supernatural threat looms not just as an evil force that kills, but also like a traumatic memory that cannot be shaken.
Posted Mar 30, 2026  Edit critic review
Ready or Not 2: Here I Come (2026) Kevin L. Lee With plenty of action set pieces, some fun loophole exploits, and a dynamite chemistry between Weaving and Newton, Ready Or Not 2 is that surprisingly satisfying sequel that acts as the proper DLC expansion you would hope for in a game you love.
Posted Mar 30, 2026  Edit critic review
Mike & Nick & Nick & Alice (2026) Kevin L. Lee It’s the surprising emotional content that gives Mike & Nick & Nick & Alice the edge from being just a serviceable action movie.
Posted Mar 30, 2026  Edit critic review
Home Delivery (2025) Kristy Strouse Home Delivery is a comedy brave enough to sit with emotional messiness and find real heart.
Posted Mar 27, 2026  Edit critic review
I Love Boosters (2026) Kevin L. Lee Boots Riley reminds us that even though there is much to be angry about the world we live in, there is still hope that we can rally, strategize, and make it better.
Posted Mar 26, 2026  Edit critic review
The Best Summer (2026) Kristy Strouse An ode to alternative 90’s rock, The Best Summer, whisks you up in a frenzy of one person’s camera, and yet we feel like we were all there.
Posted Mar 12, 2026  Edit critic review
Night Nurse (2026) Kristy Strouse Moody and unafraid - Night Nurse won’t be for everyone, but it’ll turn heads. And it turned mine.
Posted Mar 12, 2026  Edit critic review
Rock Springs (2026) Kristy Strouse Rock Springs is a thoughtful manifestation of grief and the real horror that is rooted in our history. Miao is one to look out for.
Posted Mar 12, 2026  Edit critic review
Run Amok (2026) Kristy Strouse When done well, it’s about artistic defiance and the healing element of art. Watch for the good intentions and stay for the heart. Because it’ll definitely stay with you.
Posted Mar 12, 2026  Edit critic review
Matter of Time (2025) Kristy Strouse Music can heal, but Matter of Time shows how it can also change lives by turning performance into purpose.
Posted Mar 03, 2026  Edit critic review
The Musical (2026) Kristy Strouse At times, genius and at others, just cringey, The Musical the mean-spirited movie of the year.
Posted Feb 20, 2026  Edit critic review
The Huntress (2026) Jules Caldeira La Cazadora is not a typical revenge flick. From the content to the performances, you won’t be able to look away from this one.
Posted Feb 20, 2026  Edit critic review
Extra Geography (2026) Jules Caldeira Extra Geography, is a brisk 94-minute drama that is unafraid to be both dryly funny and yet awkwardly discomforting at the same time. Viewers may find comparisons to Booksmart or The Holdovers appropriate, which in itself is high praise.
Posted Feb 20, 2026  Edit critic review
THX 1138 (1971) Manon de Reeper THX 1138 requires a lot of thinking and a vivid imagination. It’s not an easy movie.
Posted Feb 19, 2026  Edit critic review
Carousel (2026) Kristy Strouse Carousel will find its audience, and there’s plenty to appreciate about the film; I just wish I had fallen in love with it.
Posted Feb 19, 2026  Edit critic review
Silenced (2026) Kristy Strouse Silenced is a compassionate documentary that does a successful job delivering on its intent. We all know this is an ongoing battle, and an uphill one at that. Movies like Silenced are the start, and hopefully, this pushes the conversation to continue.
Posted Feb 19, 2026  Edit critic review
The Incomer (2026) Kristy Strouse Paxton has crafted a warm embrace with this film. The Incomer is magic, and it highlights the beautifully strange dance that is human connection.
Posted Feb 18, 2026  Edit critic review
Josephine (2026) Kristy Strouse Josephine is a heartbreaking film, but not without hope. It’s brilliant in its performances and gives us Channing Tatum's best. This also proves that Beth de Araújo is one of our bravest new voices.
Posted Feb 18, 2026  Edit critic review
Mum, I'm Alien Pregnant (2026) Kristy Strouse This is Hannah Lynch’s film, who does an amazing job as our anchor to both reality and absurdity. Mum, I’m Alien Pregnant is exactly what it says it is, and yet also, much more.
Posted Feb 18, 2026  Edit critic review
Nadja (1994) Lee Jutton A time capsule of a certain era of indie film experimentation, Nadja might lack the gloss of later vampire films with larger budgets, but that’s part of what makes it such a fun watch.
Posted Feb 18, 2026  Edit critic review
Cover-Up (2025) Lee Jutton In any other year, it would be an important documentary; in 2025, it is essential.
Posted Feb 18, 2026  Edit critic review
Can She Bake a Cherry Pie? (1983) Lee Jutton A delightful and nostalgic glimpse into the past, Can She Bake a Cherry Pie? deserves a place in the pantheon of great New York City movies.
Posted Feb 18, 2026  Edit critic review
Vindicta (2026) Kristy Strouse Dominik Sedlar’s Vindicta is a harrowing tale that is anchored by exquisite direction and a star-turning lead performance.
Posted Jan 21, 2026  Edit critic review
Chaperone (2024) Kristy Strouse Zoe Eisenberg’s assured directorial debut swims in moral ambiguity, but it’s equally concerned with loneliness, inertia, and the quiet despair that can settle in when life feels suspended.
Posted Jan 15, 2026  Edit critic review
Hellboy: The Crooked Man (2024) Sean Fallon Maybe The Crooked Man will only appeal to hardcore Hellboy fans who want to see another adaptation of their favorite character, but it is also a very enjoyable riff on folk horror and The Evil Dead with some comic book flourishes. 
Posted Jan 14, 2026  Edit critic review
Godzilla (1954) Sean Fallon Watching Godzilla ‘54 and having an absolute ball with it, I’m not surprised that 70 years later, Godzilla is still doing big box office numbers and wowing audiences. And I don’t think he has any plans of retiring in the near or distant future.
Posted Jan 14, 2026  Edit critic review
Winnie-the-Pooh: Blood and Honey (2023) Sean Fallon Perhaps in their haste to be the first ones out with a Winnie-the-Pooh movie, the filmmakers unfortunately skimped on the writing for the non-Pooh characters, leaving them lifeless and feeling fake.
Posted Jan 14, 2026  Edit critic review
Winnie the Pooh: Blood and Honey II (2024) Sean Fallon After watching Winnie-the-Pooh: Blood and Honey 2, I’m excited to see what these filmmakers have in store and how weird they’re going to go with this whole thing.
Posted Jan 14, 2026  Edit critic review
The Fantastic Four: First Steps (2025) Sean Fallon A wonderful addition to the MCU and the superhero canon, The Fantastic Four: First Steps is a breath of fresh air in the genre while also being unique in how much it enjoys being a superhero movie. 
Posted Jan 14, 2026  Edit critic review
A Useful Ghost (2025) Sean Fallon I’m not sure if I enjoyed this movie or endured it, as its glacial pace and meandering plot are sometimes a strength, sometimes a weakness, as often the lack of movement adds to the comedy and other times it feels stilted and boring.
Posted Jan 14, 2026  Edit critic review
The Golden Spurtle (2025) Sean Fallon As the world becomes increasingly hostile and scary, a documentary like The Golden Spurtle is a tonic. It’s a warm, conflict-free blanket of friendly and engaging people who come together from all over the world.
Posted Jan 14, 2026  Edit critic review
The Texas Chain Saw Massacre (1974) Sean Fallon The beauty that Tobe Hooper manages to hide in the horror shines through, as well as the dark, wry humour that is not talked about enough.
Posted Jan 14, 2026  Edit critic review
Chain Reactions (2024) Sean Fallon This is one of the best movies about movies I’ve seen in a long time. It is a love letter to the movie, the genre, and the filmmakers made with never-before-seen footage and fans who can see beneath the surface of the film.
Posted Jan 14, 2026  Edit critic review
We Bury the Dead (2024) Sean Fallon We Bury the Dead is a rumination on grief and the way we lose loved ones sometimes without a goodbye or on bad terms. It is also a road trip movie, a haunted house horror, and a showcase for the talents of Daisy Ridley.
Posted Jan 14, 2026  Edit critic review
Zootopia 2 (2025) Sean Fallon Just as in Zootopia, the world-building and neat details are incredible. Expanding into the reptile world and the swamps gives the filmmakers room to build upon the rich world of the original movie.
Posted Jan 14, 2026  Edit critic review
A Girl Is a Gun (1971) Lee Jutton A Girl is a Gun is a defiantly quirky and incredibly entertaining example of what made Moullet the chaos agent of the French New Wave.
Posted Jan 13, 2026  Edit critic review
Little Trouble Girls (2025) Lee Jutton Little Trouble Girls takes a lovely, lyrical approach to time-worn tropes, the result of which is a film that entrances the audience despite its flaws.
Posted Jan 13, 2026  Edit critic review
Queen Kelly (1929) Lee Jutton Watching it fills me with sadness for what we lost when Swanson suddenly stopped production; nonetheless, some Queen Kelly is better than no Queen Kelly.
Posted Jan 13, 2026  Edit critic review
Four Nights of a Dreamer (1971) Lee Jutton With the rich color and texture present in every frame of the film looking positively rejuvenated in 4K, there’s never been a better time for Four Nights of a Dreamer to finally take the prominent place it deserves in Bresson’s filmography.
Posted Jan 13, 2026  Edit critic review
Riefenstahl (2024) Lee Jutton Riefenstahl should be the last word on its subject—not just because it is the definitive one, but also because it is the last one we need. She doesn’t deserve any more.
Posted Jan 13, 2026  Edit critic review
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