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Andrea Picard

Andrea Picard's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Publications:

Reviews

Movies TV Shows
The Image Book (2018) 90% EDIT “For all its apocalyptic doom and gloom, Le livre d'image has moments of great tenderness and melancholy, and exhilarating, even transcendent, rhythm.” – Cinema Scope Sep 11, 2018 Full Review Socialism (2010) 58% EDIT “As he becomes increasingly removed from society but with a sharpened gaze, Godard's painting grows ever more pertinent, exquisite and moving...” – Cinema Scope Oct 3, 2017 Full Review The Feature (2008) 56% EDIT “Its pseudo-fiction saves the film from itself in a perverse kind of way.” – Cinema Scope Oct 3, 2017 Full Review Low Life (2010) EDIT “... the film eludes its own present by conflating France's pressing issue of the day-Sarkozy's puerile and abhorrent approach to immigration-with a '60s-era verve for revolution.” – Cinema Scope Oct 3, 2017 Full Review Ocaso (2011) EDIT “... Ocaso is structured around the elemental: earth, fire, water, and air, all under the sign of destruction.” – Cinema Scope Oct 3, 2017 Full Review Aita (Father) (2010) EDIT “... Aitá was a delightful surprise, even if at times a bit studied and self-conscious.” – Cinema Scope Oct 3, 2017 Full Review Mille soleils (2014) EDIT “... Atlantiques renders its subject in elliptical fragments, within an abstracted spatio-temporal realm charged with a mournful yet restlessly hopeful intensity.” – Cinema Scope Oct 3, 2017 Full Review Provenance (2013) EDIT “... American artist-filmmaker Amie Siegel's most recent and most ambitious multi-film project.” – Cinema Scope Oct 3, 2017 Full Review No Home Movie (2015) 90% EDIT “Both elliptical and tryingly quotidian, No Home Movie is a shattering contemplation of loss and grief as much as it is a search for identity and calm...” – Cinema Scope Oct 3, 2017 Full Review Slack Bay (2016) 64% EDIT “... the provocative Ma Loute is in parts subversive, perverse, and politically incorrect, while it fashions a bifurcated study of good and evil, love and hate, and, ultimately, social injustice and the sheer vulgarity of vanity itself.” – Cinema Scope Oct 3, 2017 Full Review The Dreamed Ones (2016) 91% EDIT “One of the year's dreamiest films is also one of the most elegantly and ingeniously realized films on longing...” – Cinema Scope Oct 3, 2017 Full Review The Day After (2017) 79% EDIT “... an oeuvre whose variations on a self-reflexive theme have increasingly become more revealing, more raw, and also more devastating.” – Cinema Scope Oct 3, 2017 Full Review
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