Arthur Ross
Arthur Ross's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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“A bittersweet hymn to the city of Valparaiso.” –
Los Angeles Free Press
Jan 22, 2020
Full Review
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“Somehow, the film is engrossing even while being static, and what remains, finally, is the question of identity, the uncomfortable feeling that we can never know ourselves or anyone else.” –
Los Angeles Free Press
Jan 17, 2020
Full Review
Men and War (1970)
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“Unfortunately, Yammato doesn't have the genius for montage of Eisenstein and the film covers such a vast multitide of events that it is almost impossible to become involved in it.” –
Los Angeles Free Press
Jan 17, 2020
Full Review
Marigold Man (1970)
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“If there is a sweetness to despair, then Marigold Man succeeds in accomplishing this difficult feat.” –
Los Angeles Free Press
Jan 17, 2020
Full Review
Le Streghe (The Witches) (1967)
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“With few exceptions, all omnibus films, with as many directors as there are stories, have neither style nor substance and are unmemorable.” –
Los Angeles Free Press
Jan 9, 2020
Full Review
The Hawks and the Sparrows (1966)
85%
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“This film has limited appeal for any social class and is therefore almost a total loss.” –
Los Angeles Free Press
Jan 9, 2020
Full Review
Sacco and Vanzetti (1971)
70%
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“This emotionally bludgeoning film should be seen.” –
Los Angeles Free Press
Jan 9, 2020
Full Review
La Collectionneuse (1967)
75%
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“When will intellectuals learn that intellectualizing emotions does not engage them? Apparently. Eric Rohmer never will... he has produced one of the most tedious films that I have seen in a long time.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
The Nun (1966)
86%
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“I only hope that the public is entertained and instructed by this beautiful film and not misled by its notoriety.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
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“The words are there, but the effect is canned revolution.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
A Gentle Creature (1969)
92%
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“It is not concerned with the moment-to-moment build of linear scenes to an emotional climax or catharsis.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
Bed Sitting Room (1969)
64%
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“The culmination of [Richard Lester's] career to date.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
Mexico: The Frozen Revolution (1971)
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“One should see films like The Frozen Revolution and read related books to be reminded that we are all implicated in their misery and are indirect accomplices to the exploitation.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
Even Dwarfs Started Small (1970)
100%
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“The product of a rigorous imagination.” –
Los Angeles Free Press
Jan 8, 2020
Full Review
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“I'd hate to think that this is Renoir's last testament, but Barrault's film legacy is slender and this is merely a cornerstone to the career of a great actor.” –
Los Angeles Free Press
Jan 7, 2020
Full Review
Destroy, She Said (1969)
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“It would difficult to find more self-conscious dialogue, and there is so much of it.” –
Los Angeles Free Press
Jan 7, 2020
Full Review
Socrates (1971)
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“Rosselini's method is as simple and self-effacing as Socrates' life.” –
Los Angeles Free Press
Jan 7, 2020
Full Review
Tokyo Story (1953)
100%
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“After seeing so many busy, ostentatious films with histrionic, even hysterical, direction, it is a relief to see one that is quiet and composed and tells its story in the most unobtrusive manner possible.” –
Los Angeles Free Press
Jan 6, 2020
Full Review
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