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Fernanda Solórzano

Tomatometer-approved critic
Publications:

Reviews

Movies TV Shows
Tár (2022) 91% EDIT “A film that swims against the current. [Full review in Spanish] ” – Letras Libres Feb 2, 2023 Full Review Triangle of Sadness (2022) 72% EDIT “Östlund's new order... showcasing people appearing sophisticated (and failing). [Full review in Spanish] ” – Letras Libres Jan 3, 2023 Full Review Huesera: The Bone Woman (2022) 97% EDIT “Huesera is the most proactive Mexican film of 2022. [Full review in Spanish] ” – Letras Libres Oct 4, 2022 Full Review Turn Your Body to the Sun (2021) EDIT “Turn Your Body To The Sun proposes not only to honor the memory of soviet prisoners… but also question the nationalist myth of a soldier always ready to die. [Full review in Spanish] ” – Letras Libres Sep 8, 2022 Full Review Nope (2022) 83% EDIT “Nope is a movie about aliens in which fear comes too late, and collective survival is not a priority. That self-absorption is the allegory of the times. [Ful. review in Spanish]” – Letras Libres Sep 1, 2022 Full Review Crimes of the Future (2022) 80% EDIT “The environmental film subgenre often has better intentions than representatives. Crimes of the future is one of the few honorable examples, and an atypical film in a filmography of cold characters. [Full review in Spanish]” – Letras Libres Aug 2, 2022 Full Review The Hole in the Fence (2021) 96% EDIT “The Hole in the Fence manages to build a sinister universe that, on the one hand, is close to us and, on the other, is inserted into a vein of horror mythology. [Full review in Spanish]” – Letras Libres Jun 1, 2022 Full Review Lamb (2021) 86% EDIT “Lamb could be ridiculous... Crucial to preventing this from happening is Rapace's immersion in a character that would seem impossible to perform with conviction and honesty. [Full review in Spanish]” – Letras Libres Dec 2, 2021 Full Review Drive My Car (2021) 97% EDIT “Defying common notions of cinematic dynamism, the most powerful sequence takes place in a back seat, showing just two men talking. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Întregalde (2021) 88% EDIT “Like good Romanian filmmaker, Muntean brings the viewer back to witness the stages of desperation that his characters go through. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Medusa (2021) 84% EDIT “There is a lot of vindictiveness in having the story told through vigorous female characters - for better and for worse, as it happens in reality. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Aloners (2021) 98% EDIT “[Gong Seung-yeon's] brilliant performance, expressionless except for key moments, allows the viewer to glimpse the emotions of a character who has struggled to suppress them. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review The Daughter (2021) 100% EDIT “With his most recent film, Cuenca confirms that he is one of the most consistent and interesting Spanish directors alive. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review The Rescue (2021) 96% EDIT “Equally fascinating is the portrait of the volunteer divers who led the search. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review You Are Not My Mother (2021) 88% EDIT “A perfect mix of folk tale and allegory about the discordance caused by the symptoms of mental illness. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Lo Invisible (2021) EDIT “Avoids a sentimental tone... A story of loneliness and madness, not so much of social scourging. [Full review in Spanish]” – Letras Libres Nov 2, 2021 Full Review Never Rarely Sometimes Always (2020) 99% EDIT “The effect is cumulative... this other plot that unfolds in scenes and in isolated moments [Full review in Spanish]” – Letras Libres Oct 29, 2021 Full Review Song Without a Name (2019) 93% EDIT “Visually speaking, it's very beautiful. [Full review in Spanish]” – Letras Libres Oct 26, 2021 Full Review The Invisible Man (2020) 92% EDIT “Small details... give weight to a story about an immaterial person. [Full review in Spanish]” – Letras Libres Oct 26, 2021 Full Review The Assistant (2019) 93% EDIT “The only work of fiction made thus far about this issue that has managed to address it with the complexity it deserves. [Full review in Spanish]” – Letras Libres Oct 26, 2021 Full Review Crazy, Not Insane (2020) 94% EDIT “Crazy, Not Insane approaches the topic of serial killers from what I believe is a quite necessary angle. [Full review in Spanish]” – Letras Libres Oct 26, 2021 Full Review Let It Be Law (2019) 90% EDIT “I think the most valuable thing about Let it be Law is that it contains testimonies of some medical legislators and even Catholic priests who... acknowledge that decriminalization is a health issue. [Full review in Spanish]” – Letras Libres Oct 26, 2021 Full Review Mank (2020) 83% EDIT “Mank is a production that's faithful to its protagonist, but this inevitably puts distance between it and the spectator. [Full review in Spanish]” – Letras Libres Oct 26, 2021 Full Review Buñuel in the Labyrinth of the Turtles (2018) 98% EDIT “The medium of animation lends itself well to weaving these dream-like visions because Land Without Bread was not in the strictest sense a documentary. [Full review in Spanish]” – Letras Libres Oct 25, 2021 Full Review Danyka (2020) EDIT “One of Demián Bichir's best roles. [Full review in Spanishi]” – Letras Libres Oct 25, 2021 Full Review
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