Jorge Ayala Blanco
Jorge Ayala Blanco's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Paterson (2016)
96%
EDIT
“A film that extends, consolidates and closes its folds as simply as possible. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
The Girl With All the Gifts (2016)
86%
EDIT
“Ends up being situated to a subtle and sublime omni-exterminator side of the recent zombie fantasies. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
Urok (2014)
83%
EDIT
“The feature debut of the Bulgarian directors, Grozeva and Valchanov, is heir to the best Italian post-neorealism. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
I Am Nojoom, Age 10 and Divorced (2014)
100%
EDIT
“An intelligent and sensitive exercise of human rights in action to defeat the blatant anachronism of the marriage of girls. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
Bang Gang (A Modern Love Story) (2015)
66%
EDIT
“A reaffirmation of romantic values and mutual understanding, above communal failure, discouragement and a general sense of emptiness. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
Sieranevada (2016)
92%
EDIT
“It keeps the spectator in a state of multiple alertness, irritates, undermines, overwhelms, fascinates and delusions directly and indirectly thanks to its impeccable edition. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
The Beguiled (2017)
79%
EDIT
“The film points the triumph of delatation and extermination over Christian mercy, as well as the victory of dark eroticism over compassion and sentiment. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
Dunkirk (2017)
92%
EDIT
“The new film of the British director abounds with a new vision in the figure of the unknown soldier from three dramatic spaces: land, sea and air, thus breaking with the idea of a blessed heroism. [Full review in Spanish]” –
El Universal
Sep 20, 2017
Full Review
After the Storm (2016)
96%
EDIT
“The film uses a generalized minor tone almost negligible for its investigation of the various emotional colors of the contemporary Japanese family in conflict. [Full review in Spanish]” –
El Universal
Jul 3, 2017
Full Review
I, Daniel Blake (2016)
92%
EDIT
“A harrowing story that sets the hairs on end, the triumph of time and disappointment. [Full review in Spanish]” –
El Universal
Jun 12, 2017
Full Review
Academy of the Muses (2015)
88%
EDIT
“The film that exposes its disjointed idea of ideal love, based on a structure also disjointed itself. [Full review in Spanish]” –
El Universal
Jun 12, 2017
Full Review
Fires on the Plain (2014)
88%
EDIT
“A movie with a strong anti-war message.[Full review in Spanish]” –
El Universal
May 19, 2017
Full Review
I Am Not Your Negro (2016)
99%
EDIT
“The film shows an extreme, anti-traditionalist and anti-white position, to which the only real and true History of the United States is the black History. [Full review in Spanish]” –
El Universal
May 15, 2017
Full Review
Neruda (2016)
92%
EDIT
“A Dionysian mischief to consummate the heretical portrait of poet Neruda as an obsessed and unfaithful obese goblin, unceasingly self-parodying and self-destructing whimsically by his own impulse. [Full review in Spanish]” –
El Universal
Mar 15, 2017
Full Review
The Salesman (2016)
96%
EDIT
“The film comes from the shameful recognition of the amatory instability of a relationship that was already collapsed to pieces from the beginning and that it must go on in spite of everything. [Full review in Spanish]” –
El Universal
Mar 15, 2017
Full Review
Jackie (2016)
87%
EDIT
“A film that questions the show within the show, opening up to unpublished meditations and contexts, to continue surviving adversity and internal dismemberment. [Full review in Spanish]” –
El Universal
Feb 27, 2017
Full Review
A Hologram for the King (2016)
70%
EDIT
“A film that takes the unusual metaphor of contemporary man as living hologram until unexpected limit consequences. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Prince (2015)
70%
EDIT
“A confined film that combines sociological cut, family chronicle, urban thriller, romantic drama, fairy tale and the fable. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Marguerite (2015)
95%
EDIT
“An elegant film that always maintains the pathetic case of Margarita's vocation in the thin line that separates the corrosive mood of tenderness as a strong feeling. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Back Home (2015)
73%
EDIT
“A wandering but superemotive film worthy of the intelligent Trier, portraitist of unsatisfied and hesitant manhood. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Li'l Quinquin (2015)
100%
EDIT
“A charming film of authorial authenticity that is placed in a strange humoristic-poetic alliance of criminal investigations and childhood mischief. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Julieta (2016)
84%
EDIT
“A very seductive film that explores the concepts of fate and the feeling of guilt. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
In Jackson Heights (2015)
96%
EDIT
“A strong documentary that grants a very loving and panoramic view of the streets and the public spaces of this sector in Queens. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Manchester by the Sea (2016)
96%
EDIT
“A film that has a rhythmic sensitive pulse of a sweetly surprising dozen temporary swings and great award-winning performances. [Full review in Spanish]” –
El Universal
Feb 23, 2017
Full Review
Three Hearts (2014)
80%
EDIT
“A film that implies the basic paradox that drives it: unglamorous and low-profile creatures are assaulted, shaken and devastated by mad love. [Full review in Spanish]” –
El Universal
Feb 21, 2017
Full Review
No Reviews Yet
Load More
Something went wrong.. try again