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KiMi Robinson

KiMi Robinson's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Reviews

Movies TV Shows
The Super Mario Bros. Movie (2023) 59% 3.5/5 EDIT “With a soundtrack of ‘80s hits and a score that incorporates the games’ iconic sound effects and songs, the animated film infuses old with new.” – Arizona Republic Apr 4, 2023 Full Review Return to Seoul (2022) 97% 3.5/5 EDIT “Park conveys her [character's] wild and unpredictable range of emotions with dexterity that you wouldn't expect from a newcomer.” – Arizona Republic Feb 22, 2023 Full Review Magic Mike's Last Dance (2023) 48% 3/5 EDIT “It’s better to not look so deep into the messaging of “Magic Mike’s Last Dance.” Just sit back and enjoy the talented, though homogenous-looking, dancers.” – Arizona Republic Feb 7, 2023 Full Review Spoiler Alert (2022) 87% 4/5 EDIT “A beautifully balanced and well-paced film that knows when to be brutally honest and when to give viewers a moment of reprieve.” – Arizona Republic Dec 8, 2022 Full Review My Policeman (2022) 44% 3.5/5 EDIT “Though Styles’ performance is sometimes obtrusive (he’s most comfortable as a rambunctious and jovial Tom), his co-stars play their parts convincingly.” – Arizona Republic Oct 20, 2022 Full Review Till (2022) 96% 4/5 EDIT “Mamie Till-Mobley is just one of countless Black mothers in America who have lost children to hate crimes. "Till" painfully reminds us that we're still waiting for justice in the majority of these cases.” – Arizona Republic Oct 19, 2022 Full Review Hocus Pocus 2 (2022) 65% 3/5 EDIT “The movie delivers on nostalgia through its attention to detail and maintaining the “Hocus Pocus” campiness. However, it doesn’t have the legs to stand on its own.” – Arizona Republic Sep 29, 2022 Full Review Catherine Called Birdy (2022) 89% 4.5/5 EDIT ““Catherine Called Birdy” is a reminder to let our spirits be free, never settle and keep loved ones close.” – Arizona Republic Sep 21, 2022 Full Review End of the Road (2022) 32% 2/5 EDIT “[Its] components seem like they’d add up to create an effective action thriller, but “End of the Road” lacks the ability to make viewers suspend their disbelief.” – Arizona Republic Sep 9, 2022 Full Review Thor: Love and Thunder (2022) 63% 3/5 EDIT ““Love and Thunder” doesn’t take itself seriously, employing soap opera-like acting and gags throughout. The more dramatic scenes are set apart in their tone and coloring, which has striking results.” – Arizona Republic Jul 5, 2022 Full Review Marcel the Shell with Shoes On (2021) 98% 4/5 EDIT “If a heartfelt summer comedy feels like something that the doctor ordered, then a healthy dose of “Marcel the Shell with Shoes On” is just what you need.” – Arizona Republic Jun 24, 2022 Full Review Fantastic Beasts: The Secrets of Dumbledore (2022) 46% 3.5/5 EDIT ““Secrets of Dumbledore” packs enough action and “Harry Potter” lore to satisfy viewers.” – Arizona Republic Apr 5, 2022 Full Review The Lost City (2022) 78% 3.5/5 EDIT ““The Lost City” is a fun romp that is conscious of not overstaying its welcome with its run time — a seemingly rare quality these days — but it leaves you wanting both less and more.” – Arizona Republic Mar 21, 2022 Full Review Dog (2022) 77% 3/5 EDIT “What it lacks in comedy, “Dog” makes up with heart.” – Arizona Republic Feb 17, 2022 Full Review Fake Famous (2021) 73% 4/5 EDIT “The film succeeds in part due to Bilton's willingness to follow his three subjects no matter their decisions. Unlike reality television producers, he does not seem interested in molding the influencers to fit his image.” – Arizona Republic Jan 29, 2021 Full Review Happiest Season (2020) 82% 3.5/5 EDIT “[A] breakthrough addition to such a conventional genre, [DuVall] doesn't quite accomplish the task of piecing it all together by the end in a way that feels authentic. Nevertheless, like Abby and Harper's trip, this is a journey well worth taking.” – Arizona Republic Nov 19, 2020 Full Review Dolittle (2020) 15% 2.5/5 EDIT “While "Dolittle" is unlikely to become a cult classic like its predecessors and doesn't necessarily transcend generations, it will likely find a captivated audience in its young viewers.” – Arizona Republic Jan 15, 2020 Full Review
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