Russ Fischer
Russ Fischer's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
Biography:
Game reviewer for Games Domain.
Immortals (2011)
50%
6/10
EDIT
“The director of Immortals, Tarsem, who also made The Cell and The Fall, is talented at fooling us into thinking that looking cool is good enough, and so I drank in the gory violence like spring water at an oasis.” –
Slashfilm
Aug 10, 2020
Full Review
Star Wars: The Rise of Skywalker (2019)
51%
C
EDIT
“As dicey as it all is narratively, Abrams' milk earnest thrills out of acts of unity writ large, and find a corny emotional buoyancy in heartfelt reunions.” –
The Playlist
Dec 18, 2019
Full Review
Terminator: Dark Fate (2019)
70%
C-
EDIT
“The cast does everything possible to inject emotional energy into this slashing, crashing sequel, but in the end, even their efforts are ground up by the action movie machine.” –
The Playlist
Oct 23, 2019
Full Review
Furious 7 (2015)
81%
EDIT
“Why are you even reading a Furious 7 review?” –
Slashfilm
May 10, 2019
Full Review
Avengers: Endgame (2019)
94%
EDIT
“Endgame reaches a conclusion that is not only spectacularly satisfying, but thematically powerful.” –
Birth.Movies.Death.
Apr 23, 2019
Full Review
Clash of the Titans (2010)
27%
2/10
EDIT
“Clash of the Titans was crafted as a 2D film and has irredeemable problems beyond the fact that it has been converted into 3D.” –
Slashfilm
Mar 28, 2019
Full Review
Shazam! (2019)
90%
B+
EDIT
“Shazam! is bright and colorful, both visually and emotionally, and is a nimble, effervescent take on the superhero origin story.” –
The Playlist
Mar 26, 2019
Full Review
Captain Marvel (2019)
79%
B-
EDIT
“'Captain Marvel' flies high and fast, but struggles with narrative turbulence.” –
The Playlist
Mar 5, 2019
Full Review
Cold Pursuit (2019)
68%
EDIT
“Self-awareness gives their endeavor an advantage over all the other similar films Neeson has made in the past decade.” –
Birth.Movies.Death.
Feb 6, 2019
Full Review
Mary Poppins Returns (2018)
79%
EDIT
“Fantasy and whimsy become a lot less fantastic and whimsical when copied and repeated.” –
Birth.Movies.Death.
Dec 20, 2018
Full Review
Roma (2018)
96%
EDIT
“This is an exceptional movie, powerful and stark, and beautiful.” –
Birth.Movies.Death.
Dec 17, 2018
Full Review
Fantastic Beasts: The Crimes of Grindelwald (2018)
36%
EDIT
“It's the big-screen version of a Netflix series, an ineffective rehash with all the bells and whistles of the Harry Potter movies, but almost none of the magic that made them work.” –
Birth.Movies.Death.
Nov 8, 2018
Full Review
Bohemian Rhapsody (2018)
60%
EDIT
“Larger-than-life performances energize a shallow highlight reel.” –
Birth.Movies.Death.
Oct 23, 2018
Full Review
Border (2018)
97%
EDIT
“Melander's performance is remarkable. Director and co-writer Ali Abbasi brilliantly conjures an unlikely eroticism as Vore literally sniffs out Tina's desire...” –
The Playlist
Oct 17, 2018
Full Review
The Man Who Killed Don Quixote (2018)
66%
EDIT
“The cruelty in Quixote often plays as if it is rooted in the director himself.” –
Birth.Movies.Death.
Oct 8, 2018
Full Review
Luz (2018)
88%
EDIT
“Thanks to Singer's skills and two unwavering performances from Velis and Blurhardt, Luz is a striking, impressive debut.” –
Birth.Movies.Death.
Oct 8, 2018
Full Review
In Fabric (2018)
92%
EDIT
“Sure, tell friends about the wild "killer dress" movie, but only because that trips off the tongue a lot easier than "subversively provocative meta-thriller about the perils of object-based definitions of personal identity in the late stages of capitalism” –
Birth.Movies.Death.
Oct 8, 2018
Full Review
The Perfection (2018)
71%
EDIT
“The Perfection wants to be an indulgent, overripe revenge fantasy, but a rotten core makes it impossible to enjoy.” –
Birth.Movies.Death.
Oct 8, 2018
Full Review
Climax (2018)
69%
EDIT
“This movie performs a mesmerizing dance that drives characters and audience alike straight into a whirling hellscape - and it is incredible.” –
Birth.Movies.Death.
Sep 26, 2018
Full Review
Halloween (2018)
79%
EDIT
“David Gordon Green gives Laurie Strode the movie she deserves.” –
Birth.Movies.Death.
Sep 23, 2018
Full Review
The Little Stranger (2018)
64%
EDIT
“Domhnall Gleeson and Ruth Wilson dominate a spooky cold war between classes.” –
Birth.Movies.Death.
Aug 31, 2018
Full Review
The History of Future Folk (2012)
93%
EDIT
“What I found was something better: a gentle and smart film that mines great jokes from the alienation of being a genuine alien, and which tackles relationships and family issues just as easily as it crafts catchy songs.” –
Slashfilm
Mar 28, 2018
Full Review
Tomb Raider (2018)
52%
EDIT
“The grunty, superficially ruthless realism prized by the filmmakers needs something with more substance, a sturdy frame of 2x4s rather than a wisp of paper and a couple of missing dads.” –
Birth.Movies.Death.
Mar 14, 2018
Full Review
The Hurricane Heist (2018)
47%
EDIT
“A goofy caper almost brisk enough to escape its shortcomings.” –
Birth.Movies.Death.
Mar 10, 2018
Full Review
The Cloverfield Paradox (2018)
22%
EDIT
“Precisely which bits [from the source material] were warped out of shape as the film journeyed to become a Cloverfield pseudo-sequel is difficult to discern, but the end result is a failed experiment.” –
Birth.Movies.Death.
Feb 5, 2018
Full Review
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