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7/10
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The Drama
(2026)
|
Laia Cabuli
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Zendaya and Robert Pattinson intensely sustain this descent into emotional paranoia in a film that exposes the fragilities of modern love and strips any trace of naiveté from the romantic ideal. [Full review in Spanish]
Posted Apr 07, 2026
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4/10
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Pretty Lethal
(2026)
|
Emiliano Basile
|
It fails to build either a powerful visual identity or a narrative that dramatically advances its characters. The dancers are reduced to interchangeable figures within a mechanical cycle of chases and murders.[Full review in Spanish]
Posted Apr 07, 2026
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8/10
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Death of an Actor
(2024)
|
Héctor Alejandro Serrano Ortiz
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Ultimately, Death of an Actor blends comedy with reflection about the construction of identity in the digital age. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
El Pozo
(2012)
|
Juan Pablo Russo
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Carnevale focuses on the more complex dimensions of the issue, avoiding oversimplification and offering a perspective that seeks to challenge established prejudices surrounding the topic. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
Dr. Seuss' the Lorax
(2012)
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Ezequiel Obregón
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The "second villain" isn't all that scary...and the kid doesn't fully convince either, sometimes just closing his eyes like he's remembering his little neighbor. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
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Rio
(2011)
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Juan Pablo Russo
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The film touches on themes related to environmental protection and the illegal wildlife trade, albeit tangentially. However, these aspects serve more as a backdrop than as the central focus of the narrative. [Full review in Spanish]
Posted Apr 07, 2026
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7/10
|
Torrente 5
(2014)
|
Rolando Gallego
|
With a simple premise, one seen before, Segura constructs a dynamic narrative that, through gags and impactful dialogue...delivers a powerful social and economic critique. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
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Torrente 4: Lethal Crisis
(2011)
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Emiliano Basile
|
Torrente 4: Lethal Crisis fails to deliver two or three truly hilarious sequences like the previous films in the saga, its only redeeming quality being the 3D effect. [Full review in Spanish]
Posted Apr 07, 2026
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6/10
|
Torrente 3: The Protector
(2005)
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Emiliano Basile
|
While Torrente 3: The Protector doesn't quite live up to the second installment of the saga, Santiago Segura's irreverent style pushes the boundaries of the genre in this third part. [Full review in Spanish]
Posted Apr 07, 2026
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8/10
|
Torrente 2: Mission in Marbella
(2001)
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Emiliano Basile
|
...Torrente 2: Mission in Marbella is better than its predecessor simply because it doesn't try to follow a genre and parody it, but rather to fully exploit its comedic potential. [Full review in Spanish]
Posted Apr 07, 2026
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8/10
|
The World Is Big and Salvation Lurks Around the Corner
(2008)
|
Juan Pablo Russo
|
Within a circuit where Bulgarian cinema circulates only in a limited way, the film presents itself as a gateway to a little-known cinematic tradition. [Full review in Spanish]
Posted Apr 07, 2026
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7/10
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40 Acres
(2024)
|
Emiliano Basile
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With a budget of just eight million dollars, the film manages to capture attention with an immersive and overwhelming narrative pulse. [Full review in Spanish]
Posted Apr 07, 2026
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9/10
|
It Follows
(2014)
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Emiliano Basile
|
It Follows is a small gem of the genre that...invokes the deepest terror, without special effects or big budgets, with a great idea and a maximum capitalization of cinematic resources to instill fear scene by scene. [Full review in Spanish]
Posted Apr 07, 2026
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8/10
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Anita
(2009)
|
Ezequiel Boetti
|
...Anita demonstrates that when you work with the audience in mind, with seriousness and professionalism...and you conceive of a film as an artistic product rather than a commodity, things turn out well. [Full review in Spanish]
Posted Apr 07, 2026
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7/10
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Problemista
(2023)
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Juan Pablo Russo
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On the one hand, it offers an interpretation of migrant precarity and the conditions of integration in the United States; on the other, it chooses to approach this material through comedy, thus overlooking traditional drama. [Full review in Spanish]
Posted Apr 03, 2026
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1/10
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War of the Worlds
(2025)
|
Emiliano Basile
|
Building the entire narrative around a man staring at a screen—with a supposed tension that never materializes—ultimately makes the experience profoundly tedious. [Full review in Spanish]
Posted Apr 03, 2026
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10/10
|
Gravity
(2013)
|
Benjamín Harguindey
|
The story employs familiar thriller tropes: dwindling oxygen, insufficient fuel, and shrinking time. However, the appeal lies not in the accumulation of obstacles but in the construction of a shared perception with the viewer. [Full review in Spanish]
Posted Apr 03, 2026
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6/10
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Kilómetro 31
(2006)
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Juan Pablo Russo
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... Kilómetro 31 confirms its director's intention: to construct an accessible story that resonates with a broad audience, as had already happened in Mexico, and to project that reach into other markets. [Full review in Spanish]
Posted Apr 03, 2026
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10/10
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Miss Tacuarembó
(2010)
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Juan Pablo Russo
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...Miss Tacuarembó is a great film that will entertain you, move you, and at the very least, leave you with a smile. It's a story to sing and dance to, to laugh and cry to, a story that will make you feel alive. [Full review in Spanish]
Posted Apr 02, 2026
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5/10
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The Giant Falls
(2026)
|
Emiliano Basile
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...The Giant Falls relies so heavily on emotional impact that it ultimately drains the very moments that should feel genuine. [Full review in Spanish]
Posted Apr 02, 2026
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6/10
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Lapönia
(2026)
|
Santiago Echeverría
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Serrano relies on the power of the text, but he doesn't always find cinematic resources to renew the viewer's attention when the debate becomes circular.[Full review in Spanish]
Posted Apr 01, 2026
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5/10
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The Super Mario Galaxy Movie
(2026)
|
Laia Cabuli
|
The problem is that this structure is too rigid and ends up exposing its own mechanisms, revealing that there isn't really a solid story to sustain the film. [Full review in Spanish]
Posted Apr 01, 2026
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8/10
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A Useful Ghost
(2025)
|
Emiliano Basile
|
Queer film, fantasy film, dark comedy with absurdist humor: all of sums up A Useful Ghost. But above all, it's a film that invites you to break free from conventional narratives and let your imagination run wild. [Full review in Spanish]
Posted Apr 01, 2026
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5/10
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How to Make a Killing
(2026)
|
Laia Cabuli
|
How to Make a Killing promised a lot from an appealing concept and a potentially interesting message, but it ends up overstating its own ideas to the point of becoming a repeated joke rather than an effective critique of ambition. [Full review in Spanish]
Posted Apr 01, 2026
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4/10
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The Astronaut
(2025)
|
Emiliano Basile
|
The Astronaut fails to sustain the complexity of its own questions. The feeling it leaves us with is that of a story that could have gone much further had it embraced its ambiguity until the end. [Full review in Spanish]
Posted Mar 30, 2026
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9/10
|
Always Winter
(2025)
|
Santiago Echeverría
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Beyond the excellent performances of the actors, David Trueba has been able to balance [the film's] elements without neglecting any... [Full review in Spanish]
Posted Mar 30, 2026
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7/10
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Millennium Actress
(2001)
|
José C. Donayre Guerrero
|
With a structure that blends intimate portraiture, film essay, and historical narrative, the film relies on the expressiveness of its characters and a mise-en-scène that explores the narrative power of images. [Full review in Spanish]
Posted Mar 30, 2026
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6/10
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53 Sundays
(2026)
|
Juan Pablo Russo
|
Although its theatrical origins condition the cinematic experience and limit visual scope, the film relies on the consistency of its performances and a script that prioritizes verbal exchange as its driving force. [Full review in Spanish]
Posted Mar 30, 2026
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7/10
|
The SpongeBob Movie: Sponge Out of Water
(2015)
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Emiliano Basile
|
The best thing about this film, directed by Paul Tibbitt and Mike Mitchell, remains its parody of good, wholesome American customs. [Full review in Spanish]
Posted Mar 30, 2026
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7/10
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76 89 23
(2025)
|
Juan Pablo Russo
|
...76 89 23 recovers the provocative spirit of that “early Argentine cinema without a message” which ended up being profoundly political, and reclaims cinematic debate as an act of cultural citizenship. [Full review in Spanish]
Posted Mar 30, 2026
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8/10
|
Revolutionary Road
(2008)
|
Ezequiel Obregón
|
The first half of the film unfolds at a leisurely pace, with an atmosphere reminiscent of Raymond Carver's narratives. [Full review in Spanish]
Posted Mar 27, 2026
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8/10
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They Will Kill You
(2026)
|
Laia Cabuli
|
With this film, Sokolov positions himself as a filmmaker capable of proposing innovative visual ideas, in one of the riskiest and freshest proposals of 2026 so far. [Full review in Spanish]
Posted Mar 26, 2026
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5/10
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Nuremberg
(2025)
|
Emiliano Basile
|
Nuremberg will not go down in history, no matter how good its intentions. [Full review in Spanish]
Posted Mar 25, 2026
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6/10
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Protector
(2025)
|
Emiliano Basile
|
Protector is a solid production within the genre: tense, laden with violence justified by trauma, and sustained by functional action sequences, well-designed and delivered with effective, relentless doses of adrenaline. [Full review in Spanish]
Posted Mar 25, 2026
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8/10
|
Bosch: The Garden of Dreams
(2016)
|
Emiliano Basile
|
...the film presents the multiple interpretations that specialists, from art historians to artists, outline on camera. [Full review in Spanish]
Posted Mar 24, 2026
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7/10
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Peaky Blinders: The Immortal Man
(2026)
|
Emiliano Basile
|
Peaky Blinders: The Immortal Man functions as a powerful conclusion, crafted more as a generational bridge for the series than a simple continuation. [Full review in Spanish]
Posted Mar 23, 2026
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6/10
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Agent Zeta
(2026)
|
Santiago Echeverría
|
[Agent Zeta] is a film that holds the viewer's interest, with moments of narrative effectiveness and a standout performance from Luis Zahera, but it leaves the feeling of untapped potential. [Full review in Spanish]
Posted Mar 23, 2026
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8.5/10
|
Project Hail Mary
(2026)
|
Denise Pieniazek
|
This space odyssey with intelligently and emotionally outlines issues such as survival, loneliness, loss, the possibility of new bonds, sharing knowledge and above all, the possibility of interplanetary cooperation or cooperation between living beings…
Posted Mar 19, 2026
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6/10
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Turbulence
(2025)
|
Emiliano Basile
|
...Turbulence combines disaster film with passionate drama in a story that is worth more for its symbolic interpretation than for the survival thriller it appears to be. [Full review in Spanish]
Posted Mar 18, 2026
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7/10
|
La Grazia
(2025)
|
Emiliano Basile
|
La Grazia is a contemplative film, like others by the Italian director, though perhaps even more so. [Full review in Spanish]
Posted Mar 18, 2026
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8/10
|
The Singers
(2026)
|
Héctor Alejandro Serrano Ortiz
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It is a short film in duration, but its scope is built on another scale. [Full review in Spanish]
Posted Mar 17, 2026
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7/10
|
Whiplash
(2014)
|
Juan Pablo Russo
|
Chazelle's most significant achievements lie not only in a flawless script but also in the construction of the characters' psychological profiles. [Full review in Spanish]
Posted Mar 17, 2026
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7/10
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The Tasters
(2025)
|
Denise Pieniazek
|
The Tasters through its highly original choice of a particular focus and perspective on World War II, undoubtedly prompts a poignant reflection on oppressive gender dynamics, both past and present.(full review in Spanish)
Posted Mar 17, 2026
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9/10
|
War for the Planet of the Apes
(2017)
|
Ezequiel Obregón
|
But the heart of the saga still lies in the expressiveness of the characters' faces. It is the emotional experience of seeing the gaze of an ape revealing all the humanity that humans lack. [Full review in Spanish]
Posted Mar 16, 2026
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9/10
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Dawn of the Planet of the Apes
(2014)
|
Ezequiel Obregón
|
[Dawn of the Planet of the Apes ] demonstrates that it's possible to transform an entertaining story into a political commentary without losing its mass appeal or its ability to connect with even the most naive viewer. [Full review in Spanish]
Posted Mar 16, 2026
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4/10
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Rise of the Planet of the Apes
(2011)
|
Benjamín Harguindey
|
Between the special effects and the long takes of acrobatics, the film reveals a fundamental weakness: its bland ideology. [Full review in Spanish]
Posted Mar 16, 2026
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7/10
|
Louis Theroux: Inside The Manosphere
(2026)
|
Juan Pablo Russo
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At the intersection of algorithms, the digital market, and promises of male success, the documentary proposes to observe a phenomenon that has ceased to be marginal and has become part of the internet's cultural landscape. [Full review in Spanish]
Posted Mar 16, 2026
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4/10
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Hierarchy
(2025)
|
Juan Pablo Russo
|
Amidst chases, conspiracies, and family conflicts, the film promises a high-voltage thriller that ultimately devolves into a drawn-out narrative that never reaches the expected intensity. [Full review in Spanish]
Posted Mar 12, 2026
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6/10
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Reminders of Him
(2026)
|
Laia Cabuli
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Despite occasionally becoming repetitive, it's an entertaining film that, thanks to its more human and emotional approach, manages to be profoundly heartbreaking in several of its moments. [Full review in Spanish]
Posted Mar 12, 2026
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6/10
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Shelter
(2026)
|
Emiliano Basile
|
It's well-produced, maintains a good pace, and offers tense action sequences. And while it doesn't reinvent the wheel in terms of plot, it knows how to sustain Statham's old-school hero persona... [Full review in Spanish]
Posted Mar 10, 2026
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