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Sucheta Chakraborty

Sucheta Chakraborty's reviews only count toward the Tomatometer® when published at Tomatometer-approved publication(s).
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Sheena667 (2019) 3/5 EDIT “While humour exposes the absurdity of the situation, the frozen landscape the film is set in underscores its characters' growing isolation and inability to connect.” – CineVue May 23, 2019 Full Review Hotel by the River (2018) 96% 3/5 EDIT “Shot in muted black and white, South Korean director Hong Sang-soo's Hotel by the River lets two stories unfold gently through idle conversations against a winter setting.” – CineVue May 23, 2019 Full Review Fugue (2018) 88% 3/5 EDIT “Actress Gabriela Muskala who also wrote the script delivers a tense, seething central performance as the woman who rises from the dead.” – CineVue May 23, 2019 Full Review Too Late to Die Young (2018) 96% 4/5 EDIT “Having little by way of plot, the film has a gentle, freewheeling quality, focusing instead on experiences, moments and sensations.” – CineVue May 23, 2019 Full Review Shadow (2018) 94% 4/5 EDIT “Drawing from the style of Chinese ink brush paintings, and aided by the rain that pours constantly, the film has a watery, fluid look and texture, each exquisite frame a moving painting.” – CineVue May 22, 2019 Full Review Colette (2018) 87% 4/5 EDIT “The film, though moving forward on a fairly conventional arc, is ultimately triumphant and entertaining, and offers spirited performances from its leads.” – CineVue May 22, 2019 Full Review Transnistra (2019) 4/5 EDIT “Intimately shot on 16mm film, Eborn explores the dynamics of the group, commenting discreetly on youth, love and life in a place such as this.” – CineVue May 22, 2019 Full Review Sofia (2018) 92% 3/5 EDIT “There is a lot more than what meets the eye initially in Benm'Barek-Aloïsi's film, which slowly and delicately teases out the nuances in the relations between the classes.” – CineVue May 22, 2019 Full Review Present.Perfect. (2019) 100% 4/5 EDIT “The film raises important questions about the politics of viewership, the documentary form's complex ties to reality and about human relationships in a digitally connected world.” – CineVue May 22, 2019 Full Review Koko-di Koko-da (2019) 80% 4/5 EDIT “Nyholm's greatest triumph in Koko-di Koko-da lies in the way he drives home his story's emotional weight through particularly cinematic means.” – CineVue May 22, 2019 Full Review Long Day's Journey Into Night (2018) 95% 3/5 EDIT “The film takes great care in building its specific mood and atmosphere.” – CineVue Apr 12, 2019 Full Review Grass (2018) 92% 3/5 EDIT “Hong's films are a world unto themselves.” – CineVue Apr 11, 2019 Full Review Three Identical Strangers (2018) 96% 4/5 EDIT “The technique, which brings a nervous, frantic energy... builds suspense making the ultimate revelation and meeting greatly satisfying.” – CineVue Dec 28, 2018 Full Review
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